Realities and Facts

 സിനിമാറ്റിക് അല്ലാത്ത ഒരു സിനിമയ്ക്കു ഹൈപ്പും അവാർഡും കൊടുക്കുന്നതിൽ വിവേക രാഹിത്യത്തെ ചോദ്യം ചെയ്യാവുന്നതാണ്. അതെ അതാണ് "ഫെമിനിച്ചി  ഫാത്തിമ"യുടെ ഒരു ഏറ്റവും കുറഞ്ഞ അവലോകനം. എം ടി പറഞ്ഞ പോലെ ചാരു കസേരയിൽ ഇരിക്കുമ്പോൾ കഥയുടെ ബീജം ഉണ്ടാകുന്നത് ... ചെറിയ ഒരു ബീജം ഉണ്ടായതു( ഉണ്ടാക്കിയതോ?), അതിൽ നിന്നും ഒരു കഥ പരുവപ്പെടുത്തി, അതിനു പുതിയ കലാകാരന്മാരെ കൊണ്ട് ജീവൻ വെയ്പ്പിച്ചു. അത് ഒരു ഇത്തിരി പഴയ കാലഘട്ടത്തിനോട് ചേർത്ത് വെച്ചാൽ, ഏറെ കുറെ മനുഷ്യർക്കിടയിൽ ഉണ്ടായിരുന്നതാകണം ഈ കഥയ്ക്ക് ആധാരമായ സംഭവത്തിലെ ചില സൂചനകൾ. ചെറിയ ചില തുന്നലുകൾ  ഒഴിവാക്കിയാൽ, അതിനെ മികച്ചതാക്കാമായിരുന്നു.  പറയാതെ തരമില്ല - എന്തോ മാർക്കെറ്റിങ്ങിനു ഇത്തിരി മതവും, ചിഹ്നങ്ങളും ദുരുപയോഗം ചെയ്യുന്നതിൽ തെറ്റില്ലെന്നായിരിക്കുന്നു! നമ്മുടെ മുന്നിൽ ജീവിച്ചിരുന്ന ചിലരെ സ്‌ക്രീനിൽ എത്തിച്ചിട്ടുണ്ട്. കാലഘട്ടം തീരെ യോചിക്കുന്നില്ല, പ്രേത്യേകിച്ചു ഇന്നത്തെ സമൂഹത്തിൽ വലിയ സന്ദേശമോ മാറ്റമോ സാധിപ്പിക്കാനല്ല, "അന്നമാണ് ഉന്നം" ഇതിന്റെ പിന്നിലും, വളരെ ചെലവ് കുറച്ചെടുത്ത, ഒരു പഴയ ഹോം സിനിമ പോലെ.    എല്ലാ സമൂഹത്ത...

Dhurrendar is a big budget action and political drama that mixes national security themes with personal sacrifice and grand visuals. On the surface it is an exciting thriller that works well in theatres. But when you look deeper some of the story choices feel uncomfortable and need closer thought. The film tries to show patriotism by using familiar locations like Kandahar and Mumbai and by linking different terror incidents. However this often feels exaggerated rather than genuine. What weakens the film most is how Islam is repeatedly shown alongside illegal activities. Scenes where people are shown praying and at the same time involved in black money alcohol or crime create a pattern that feels biased. When religious words like takbeer are used during violent scenes it crosses from criticism into prejudice and can quietly spread misunderstanding instead of awareness. In this part (the second part has already been announced), the story shows how Operation Dhurrendar sent an infiltrati...

At last yesterday watched the movie "idli kadai", by Dhanush. “Idli Kadai” beautifully captures the peace, purity, and rootedness of village life - the calmness of one’s own land and the genuineness of simple living. It carries messages of parenting, honesty, and pure love, though it sometimes fails to connect emotionally or frame those themes deeply. The hero’s affection for the “idli kadai” symbolizes his bond with roots and values, but the film misses emotional depth in moments like his silent rejection of the boss’s daughter. Still, it reminds us that real strength lies in goodness and forgiveness - that ahimsa can silence ego and violence. But it has the reflections, avoiding the cinematic experience. Yes beyond the film, it reflects today’s world — where money and power dominate, and the poor or minorities are the most vulnerable. Escaping such systems is a struggle. The movie subtly reminds us that one’s village, parents, and birthplace - the soil that made us huma...

 Indian authorities the bjp far right wing under hindutwa model, polarize the nation and communalism to the extent that people kills the other. 

  Santosh isn’t just a film — it’s a mirror to the harsh truths of our society. It quietly but powerfully shows how caste, power, and gender work in everyday life, not just in villages but even in so-called modern India. It starts small — a widow gets her husband’s police job.  But step by step, we see how this system slowly corrupts her. Power never comes loudly — it seeps in quietly. At first, it feels like survival. Then it becomes habit. And soon, even good people start justifying wrongs, without even knowing they have crossed the line. One strong line hit me hard :  “Some we can't touch, some are untouchables.” That one dialogue says everything about our society. This film doesn't shout. It shows. In the silence, in the cramped police stations, in how Dalit voices go unheard, and how women in uniform are still controlled by men. Even when we want to raise our voice, we end up sitting in a corner — quietly watching the hatred grow. Sadly, today’s narrative is bec...

  As we race to develop advanced technologies, it is essential to pause and ask ourselves: who are we creating these for if we are not considering the well-being of others? The rapid growth of artificial intelligence, cloud computing, and data storage comes at a significant environmental cost. Data centers, the backbone of our digital world, consume vast amounts of energy and generate heat, often requiring immense amounts of water for cooling. This reliance on natural resources exacerbates issues like water scarcity, which is already a pressing global problem. The very systems meant to ease our lives may inadvertently contribute to environmental damage and climate change, raising questions about the sustainability of our technological ambitions. Meanwhile, humanity is increasingly divided by conflicts, hatred, and a quest for power. Wars over territory, resources, and ideologies remind us of the fragility of our existence. All these advancements, from AI to energy-hungry technologi...

We witnessed, experienced and now experiencing the emotions and pains of being in a relief camp or refugee. flood, earth quake, natural calamities are such tests to understand the true life problems. but with politics and hatreds towards other, India became too worse that no one dare to speak up for justice or can't express the feelings of others. The emotional turmoil experienced in relief camps, whether due to natural disasters or conflicts, is profound. In Kerala, the July 2024 landslides caused by heavy rainfall displaced thousands, forcing them into relief camps. Over 420 fatalities were reported, with significant damage to infrastructure. The state's vulnerability to such disasters highlights the urgent need for climate resilience and effective disaster management. In Manipur, ethnic violence has displaced over 60,000 people since May 2023. The conflict has been exacerbated by political tensions and communal divisions, with many forced into makeshift camps lacking basic a...