In the Puranas and epic legends, when adharma dominates, a smaller group always resists. According to Indian propaganda politics, those who stand for truth and justice are often labeled as terrorists. The movie "Kalki" portrays a similar canvas, where right-wing supporters constantly spread disinformation to incite hatred, paving the way for the mass destruction of humanity. The "Love Jihad" propaganda is a major tool for these groups. They call themselves think tanks, saints, nationalists, and protectors of culture, but in reality, they are rapists, hate mongers, betrayers, murderers, and some of the most heinous people on earth. If people think with reason, logic, and common sense, the hindutva agenda of hate politics and casteism would be crystal clear. Fortunately, we have brave journalists and activists who have struggled and provided proper evidence, investigative reports, and books to safeguard democracy and the social fabric.
Santosh isn’t just a film — it’s a mirror to the harsh truths of our society. It quietly but powerfully shows how caste, power, and gender work in everyday life, not just in villages but even in so-called modern India. It starts small — a widow gets her husband’s police job. But step by step, we see how this system slowly corrupts her. Power never comes loudly — it seeps in quietly. At first, it feels like survival. Then it becomes habit. And soon, even good people start justifying wrongs, without even knowing they have crossed the line. One strong line hit me hard : “Some we can't touch, some are untouchables.” That one dialogue says everything about our society. This film doesn't shout. It shows. In the silence, in the cramped police stations, in how Dalit voices go unheard, and how women in uniform are still controlled by men. Even when we want to raise our voice, we end up sitting in a corner — quietly watching the hatred grow. Sadly, today’s narrative is bec...