In the Puranas and epic legends, when adharma dominates, a smaller group always resists. According to Indian propaganda politics, those who stand for truth and justice are often labeled as terrorists. The movie "Kalki" portrays a similar canvas, where right-wing supporters constantly spread disinformation to incite hatred, paving the way for the mass destruction of humanity. The "Love Jihad" propaganda is a major tool for these groups. They call themselves think tanks, saints, nationalists, and protectors of culture, but in reality, they are rapists, hate mongers, betrayers, murderers, and some of the most heinous people on earth. If people think with reason, logic, and common sense, the hindutva agenda of hate politics and casteism would be crystal clear. Fortunately, we have brave journalists and activists who have struggled and provided proper evidence, investigative reports, and books to safeguard democracy and the social fabric.
Dhurrendar arrives as yet another high-budget action-political drama that blends national security, personal sacrifice, and cinematic spectacle. On the surface, it’s an adrenaline-filled thriller with an impressive theatre experience, but beneath that shine lie troubling narrative choices that deserve deeper scrutiny.At its heart, the film tries to glorify patriotism through familiar backdrops — from Kandahar to Mumbai — connecting terror incidents in ways that feel sensational rather than sincere. What weakens the message is the repeated association of religion, particularly Islam, with illicit acts. Scenes showing praying individuals involved in black money, alcohol, and crime reflect a pattern of Islamophobic undertones often normalized in modern mass-market films. When paired with chants or depictions like “takbeer” during violent moments, these portrayals blur the line between critique and prejudice, subtly feeding bias rather than understanding. Adding to the discomfort is a...