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Showing posts from December, 2025

Dhurrendar !

 Dhurrendar arrives as yet another high-budget action-political drama that blends national security, personal sacrifice, and cinematic spectacle. On the surface, it’s an adrenaline-filled thriller with an impressive theatre experience, but beneath that shine lie troubling narrative choices that deserve deeper scrutiny.At its heart, the film tries to glorify patriotism through familiar backdrops — from Kandahar to Mumbai — connecting terror incidents in ways that feel sensational rather than sincere. What weakens the message is the repeated association of religion, particularly Islam, with illicit acts. Scenes showing praying individuals involved in black money, alcohol, and crime reflect a pattern of Islamophobic undertones often normalized in modern mass-market films. When paired with chants or depictions like “takbeer” during violent moments, these portrayals blur the line between critique and prejudice, subtly feeding bias rather than understanding. Adding to the discomfort is a...